Inside Look: Our Digital Crowds PipelineNewsMarch 6th, 2025The making of: Those About to DieNewsFebruary 24th, 2025Our Brand New Live Events DivisionNewsFebruary 5th, 2025Evergreen — Directable Motion-Capture MetaHumans for in-camera VFXNewsJanuary 15th, 2025Visualisation and Motion Capture for Venom: The Last DanceNewsDecember 19th, 2024Vote for Dimension and Vicon’s Live Markerless Motion Capture Demo at SXSW LondonNewsDecember 10th, 2024Befores & Afters Explores the AI, VFX, and Virtual Production Behind Robert Zemeckis’ HereNewsDecember 5th, 2024Those About to Die wins Best Virtual Production in Broadcast Tech & Innovation AwardsNewsNovember 29th, 2024See you at Manchester Animation Festival!NewsNovember 7th, 2024Bringing Filmmaking 2.0 to SXSW 2025NewsOctober 22nd, 2024
Vote for Dimension and Vicon’s Live Markerless Motion Capture Demo at SXSW LondonNewsDecember 10th, 2024
Befores & Afters Explores the AI, VFX, and Virtual Production Behind Robert Zemeckis’ HereNewsDecember 5th, 2024
Those About to Die wins Best Virtual Production in Broadcast Tech & Innovation AwardsNewsNovember 29th, 2024
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