How to build workflows fit for innovationNewsSeptember 12th, 2025Real-time technology's impact on the world of live eventsNewsSeptember 11th, 2025How we're making Glastonbury’s Terminal 1 installation more accessible NewsJune 23rd, 2025Dimension and Two Chairs Productions partner to co-produce CamelotNewsMay 29th, 2025Presenting ViV: A world-first robotics solution for virtual productionNewsMay 14th, 2025Dimension at Cannes 2025 - where to find usNewsMay 13th, 2025Introducing our new end-to-end pipeline for AI-powered media productionNewsApril 16th, 2025Inside Look: Our Digital Crowds PipelineNewsMarch 6th, 2025The making of: Those About to DieNewsFebruary 24th, 2025Our Brand New Live Events DivisionNewsFebruary 5th, 2025Evergreen — Directable Motion-Capture MetaHumans for in-camera VFXNewsJanuary 15th, 2025Visualisation and Motion Capture for Venom: The Last DanceNewsDecember 19th, 2024Vote for Dimension and Vicon’s Live Markerless Motion Capture Demo at SXSW LondonNewsDecember 10th, 2024Befores & Afters Explores the AI, VFX, and Virtual Production Behind Robert Zemeckis’ HereNewsDecember 5th, 2024Those About to Die wins Best Virtual Production in Broadcast Tech & Innovation AwardsNewsNovember 29th, 2024
Vote for Dimension and Vicon’s Live Markerless Motion Capture Demo at SXSW LondonNewsDecember 10th, 2024
Befores & Afters Explores the AI, VFX, and Virtual Production Behind Robert Zemeckis’ HereNewsDecember 5th, 2024
Those About to Die wins Best Virtual Production in Broadcast Tech & Innovation AwardsNewsNovember 29th, 2024