Netflix came to Dimension to create a virtual production promo for The Leopard; a grandiose original series set in nineteenth century Sicily that boasts rich, sumptuous visuals.

Netflix: The Leopard

Nothing captures the authenticity of performance and photorealistic details of wardrobe in the same way as volumetric capture. It’s for this reason that Wicked’s VFX teams approached Dimension to expand crowd scenes in Munchkinland and Emerald City.

Wicked

Universal's Wicked

When Floating Points brought his new album Cascade to London for three nights at HERE at Outernet, his electronic dance music was complemented by a world-first visual spectacle thanks to realtime services from Dimension Live.

Alongside the visuals from Hamill Industries and artist Akiko Nakayama, for the first time in a live show, we provided audiences with realtime virtual lighting and a set extension on the stage’s LED screen.

This performance is the first demonstration of a long-term partnership between Dimension Live and HERE at Outernet. We’ve created a virtual venue of the space to create incredibly immersive live experiences in the new Outernet district in London.

The Guardian gave the show a five-star review, calling it “an unclassifiable triumph” and described the performance as “a transcendent set that’s equal parts body-jacking rave and harp-laced, retina-melting art show”.

Floating Points Live at HERE at Outernet

Floating Points Live in London HERE, Outernet 

Introducing Evergreen — a Dimension motion capture demo driving live MetaHumans for in-camera VFX via an LED volume. Watch the behind the scenes below.

Set on a forested riverbed, the demo features two physical actors performing live against an LED volume. At the same time, directable mid-ground MetaHuman characters are puppeteered in realtime on a neighbouring performance capture stage.

The MetaHuman characters are driven by data generated from motion capture actors next door, captured using Vicon cameras. This realtime animation is played out on the LED volume for the physical actors to see and interact with.

The demo highlights a new way of using directable mid-ground MetaHuman characters. Because they're puppeteered in realtime, it allows for more dynamic and authentic interactions, such as characters helping each other traverse rocks.

See the in-camera edit below to watch the positive impact of the LED volume on the actors with realistic lighting and interaction with the MetaHuman characters.

Evergreen

Motion Capture Driving MetaHumans for ICVFX

Dimension and DNEG 360 supported the Venom VFX team by providing precise motion capture data in Unreal Engine to visualise every twirl in Venom’s dance with Mrs. Chen – showcased in the breakdown below.

We created a performance capture stage at a 1:1 scale to the practical shoot’s set. We took a LiDAR scan in Unreal Engine and recreated key structures in our mocap stage – like the staircase and jukebox that Venom interacts with.

Our stage featured 44 Vicon V26 Valkyrie motion capture cameras, full body and hand tracking, and two Blackmagic reference cameras. We retargeted the data onto a 7-foot Venom VFX asset and streamed it directly into Unreal Engine

By visualising the scene in Unreal Engine, the VFX team could see how Venom and Mrs Chen interacted in the final composition – offering invaluable realtime feedback to VFX Supervisor John Moffatt and the VFX team.

Venom: The Last Dance

Based on Richard McGuire’s graphic novel, Robert Zemeckis’ “Here” tells the story of a single location across time, from prehistoric landscapes to a modern living room — all captured from a single, fixed camera angle.

The film required close collaboration of DNEG for visual effects, Metaphysic for the de-aging of stars Tom Hanks and Robin Wright, and Dimension and DNEG 360 for virtual production. 

The production used a 30-foot by 15-foot LED wall visible through the living room window, showcasing 85 different periods built by our team in Unreal Engine. 

Dimension and DNEG 360 created a significant library of assets, in particular vehicles, to add authenticity to the many periods. The team developed a realtime vehicle system in Unreal Engine, alongside trees, foliage, and seasonal weather systems.

Here

Sony Pictures Here

Inspired by the Emmy Award-winning series, “Yo Gabba Gabba!” creators Christian Jacobs and Scott Schultz have revived the family series featuring new host Kammy Kam on AppleTV+.

The team worked to build the fantastical world of Yo Gabba GabbaLand! to life in 3D, with Unreal content creation and on-set LED volume operation services.

 DNEG 360, a joint venture between Dimension and DNEG, is proud to have worked on bringing this fantastical world to life with content creation and virtual production. 

Yo Gabba GabbaLand!

AppleTV+ Yo Gabba Gabbaland!

Embark on a comedic, high-stakes journey through time and space with Time Bandits, an Apple TV+ adaptation of the 1981 cult classic film directed by Terry Gilliam.

The show’s premise, with bandits time-hopping through eras and locations as diverse as 1920s New York and Ice Age, was a perfect fit for virtual production.

Based in Wellington, New Zealand, Dimension and DNEG 360’s team was responsible for content creation (for previsualisation and in-camera VFX) and on-set operation of the LED volume.

Our content creation team used a combination of scanning and Unreal Engine to create stunning scenes such as the Ice Age, a Mayan village, and a recreation of Stonehenge.

Virtual production proved to be a creatively empowering tool for Waititi, Morris, and Clement, providing the flexibility and adaptability essential to the project’s evolving script and story. Time Bandits is available to watch on Apple TV+ now.

Time Bandits

Those About to Die is a series packed with swords, sport, and entertainment for the masses. Starring Sir Anthony Hopkins, the project features extensive virtual production from Dimension and DNEG 360 which includes a realtime build of Ancient Rome. 

Those About to Die

Peacock Those About to Die

Coldplay and BTS sought celestial heights for their collaboration and otherworldly video "My Universe".

Both Coldplay and BTS were volumetrically captured on opposite ends of the planet, before their holograms were seamlessly intertwined - not only for the music video, but live on the finale of The Voice USA and onstage at Glastonbury 2024.

Holograms, spaceships, and two of the world's biggest bands are a hit. Eight million viewers were captivated by the performance on The Voice, while the music video sits at 288 million hits.

For Coldplay's headline show at Glastonbury 2024, BTS were projected onto the Pyramid Stage during "My Universe". This mixed-reality performance showcased volumetric capture on an epic scale, both for live and broadcast audiences.

Our case studies

Netflix: The Leopard

Wicked

Floating Points Live at HERE at Outernet

Evergreen

Venom: The Last Dance

Here

Yo Gabba GabbaLand!

Time Bandits

Those About to Die

Coldplay x BTS: "My Universe"

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