Metashima is Dimension’s Web3 entertainment experience centred around unique and customisable virtual AI robots. Our expert real-time team designed and animated the Metashima, bringing them to life inside their hi-tech virtual facility - The MAG.  

Metashima

To deliver the highest-quality virtual production visuals, our innovation team Dimension Futures has developed DUE, our own custom version of Unreal Engine that’s fine-tuned for delivering virtual production for film and TV. 

DUE has been deployed to Dimension’s virtual production and content teams, and the results of its industry-leading output can be seen in major projects including Those About To Die, and Here as well as several other upcoming films and series. 

Dimension Unreal Engine

DUE - Dimension Unreal Engine

Terminal 1 is an immersive space at Glastonbury Festival designed to spread the message that “No Human is Illegal”. Dimension partnered with Glastonbury’s accessibility team to create a VR walkthrough of Terminal 1 so everyone could be a part of it.

Terminal 1 VR experience

Glastonbury

Blurring the lines between the past, present and future – “Archivo” showcases the emotional depth achievable through virtual production and innovative narrative techniques.

Archivo

When you’re searching for the mythical spring that restores youth, you need instructions to be clear. So to create on-screen UIs, the production team on Guy Ritchie’s Fountain of Youth came to Dimension Studio’s motion graphics and effects team. 

Fountain of Youth

Apple TV+’s Murderbot sees Alexander Skarsgård’s eponymous lead protecting a research crew from alien attacks. Dimension delivered previs and techvis so the filmmakers could efficiently plan their shoot and bring the show’s worlds and aliens to life.

Murderbot

Daisy Ridley and Clive Owen go head-to-head in Sky Original thriller ‘Cleaner’, featuring a world-first MetaHuman use case from Dimension – a virtual stunt double created from 3D scans of Ridley for hard-to-achieve stunts.

Martin Campbell (Casino Royale) directs this high-octane thriller about radical activists taking hostages in a high-rise building. Joey, played by Ridley, a former soldier now working as a window cleaner, finds her younger brother among the trapped.

Cleaner is the newest innovative application of MetaHumans from Dimension. Get in touch to see how we can enhance your show with MetaHumans, from virtual stunt doubles to supermodels.

Cleaner

‘Mara & Milo: Magic & Mayhem’ is an AI generated short film and proof of concept for Dimension’s AI content pipeline. The demo is a showcase of how AI workflows, in the hands of artists, are rapidly evolving.

Mara & Milo: Magic & Mayhem

Alongside the design of our AI content pipeline, Dimension's technology teams are in development on several and internal and external projects in which AI will play a significant role. 

Dimension's AI content pipeline will be deployed at different stages across the business, as the studio continue its goal of pioneering the future of filmmaking.

AI Projects 

In Production: AI Projects

Adapting cult classics is no easy feat, especially when it features multiple visually-captivating worlds. So for Taika Waititi to reimagine Terry Gilliam’s ‘Time Bandits’ it was clear that an in-depth virtual production approach would be needed. 

Our case studies

Metashima

Dimension Unreal Engine

Terminal 1 VR experience

Archivo

Fountain of Youth

Murderbot

Cleaner

Mara & Milo: Magic & Mayhem

AI Projects

Time Bandits

Projects

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Virtual Humans

Virtual Production

Visualisation

Performance Capture

Volumetric Capture

Virtual Worlds

Real-Time Animation

Gen-AI

Film & Episodic

Live Experiences

Innovation & Development

Music

Immersive

Fashion

Sport

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